Alternative Press Expo

I've been hard at work laying out and printing books for this year's Alternative Press Expo, which is going down THIS WEEKEND in San Francisco. I'll be sharing table #660 with my good friend, Traci Hui. Come say hi, talk art, look at my original sketchbooks in person or maybe buy a thing. In addition to the two sketchbooks I'll be selling, I'll also be bringing some mini comics and art prints.

The Book of Neighborhoods is a collection of my environment drawings.

The Book of Citizens is a collection of my people drawings.

If you can't make it out to APE, I'll be selling books online shortly if you'd like to order one. Here's a newer page that will be in "Neighborhoods":

Indian Summer

I recently promoted myself to a larger format Moleskine after finishing my most recent sketchbook. Those of you who have flipped through my sketchbooks in person know how small my usual ones are. What I like about small sketchbooks is that they seem to promote unity of thought. Because space is so limited and you can complete pages quicker, the sketchbook feels less like a collection of drawings and more like a progression of thought. You can only render an image to a certain degree before you have to concede that there simply isn't room to continue doing so. It's a constant reminder to simplify, to pay attention to what is essential to the subject, and that something doesn't need to be "finished" to be complete. The following are the final pages in my last sketchbook. I have some paint sketches of city scenes that I'll post on the next update.

Heads up: I'll have a table at this year's Alternative Press Expo in San Francisco (October 16-17). If you're planning on attending, do drop by. I'll have a couple sketchbooks, a mini-comic, prints and more. More details on all that later. I've decided to invest in a good printer and make everything myself, by hand, this year.

Below: The left page came out unintentionally creepy. The right page is one of my favorite pages in my entire last sketchbook.

Public Profiles II

I'm almost convinced it will never be warm in San Francisco again. I've lived in the Bay Area my whole life and I've never seen a summer like this where the fog just never lifts and it's always cold. If we were ever going to see the sun this year, we would have seen it by now. What this all means is... I've been doing a lot of indoor drawing and sweater wearing.

I started a new job last month and I'm loving it! I'm now working as an artist at WonderHill with some super talented people who are just as excited about making art as I am. I added links to their blogs at the right.

Above: Another future painting from last month. I'll let you guys see it before I paint over it and fix the perspective flubs because I do enjoy the linework on this one.

Below: My new coworkers and I have been going out and drawing at the cafe on lunch breaks. That place is old people city on weekday afternoons! And of course, I continue to draw on BART every week... there are random train drawings spread throughout these pages.

Pending Paint

San Franciscan summers are notoriously mild. I've been doing a lot of drawings outside lately with the intention of revisiting the locations to paint the sketches when the sunny weather finally hits (usually end of July - November).


Above: I wanted to show the full spread so you can see how I plan my layouts. Sometimes, I just aim to fill each page with drawings that may or may not be related, but there are other times when I want to treat a spread as a unified piece. I left space at the bottom and right sides for writing.





I hope my next update will be in technicolor.

Rattled by the Rush

I've finally managed to work through the slump I've been in since February. In an effort to squeeze in drawing time everyday, I've been sacrificing my lunch hour to drawing sessions and then just eating lunch at my desk while working.

Above: The drawing on the right was intended to be painted over. I'll probably return to finish it soon even though I like it as is. It was way too windy to paint that day. There are many things I'll endure for my art but wind is probably my #1 most annoying thing. I'll take pretty much anything else the weather can throw. When I think about all the times I've gotten sick because I literally didn't have enough sense to come in out of the rain...

The drawings on the left were done at a Pavement reunion concert in Berkeley. Pavement was the first band I ever became full-on obsessed with and they're still one of my favorite bands ever. If you haven't been privy, here is your eduction:



Back to the sketchbook:

Maybe I should keep titling all my posts after Pavement songs. Or maybe that would just be annoying. "Rattled by the Rush" is an amazing song, though. It was actually the song that inspired me to learn guitar... the bridge floored me.

SketchCrawl 27 +++

I did this at the last SketchCrawl (May 15), sitting in front of San Francisco’s Ferry Building. I kind of like my unfinished paintings better than the finished ones. Here you can see I started with a warm brown wash, drew over it in pen, and painted over the drawing.

Above: This was done with watercolor, felt-tip pen, and gouache in a Moleskine sketchbook, which has paper similar to Bristol board except that it’s water-resistant. Why would anyone want to use water-based materials on water-resistant paper? If you’re anything like me, it’s because you’re a glutton for punishment. I enjoy the challenge and unpredictability of painting in these books because it yields interesting effects. Also, I just hate working in pencil.

Below: Drawings done mostly on BART or the bus.






I’ve been working through an artistic downturn these past couple months and it’s just now that I’m starting to feel somewhat satisfied with anything I’ve produced again. Whether my work quality has actually been degrading or just my opinion of it, I don’t know. Anyone else would be a better judge of that than I would. But I’m looking forward to spending more time outdoors drawing and painting now that the weather is finer and I seem to finally be pulling myself out of this funk I’ve been in.

Public Profiles

I always take the same seat on the train. As evidenced by the following drawings.






We're seeing the last of the spring rains here in the Bay Area and good drawing weather isn't far behind. Spring doesn't really hit here until it's nearly summer. And summer, in autumn. I'm pretty done with being cooped up indoors. These sketches were the last of this sketchbook and I'm looking forward to breaking in a new one the first sunny day I have free.